Leading the charge was the indomitable Rachel, a video engineer with a keen eye for detail and a passion for 10-bit color depth. She had long been an advocate for the superiority of 10-bit encoding, which offered a staggering 1.07 billion possible color combinations, far surpassing the 16.7 million of 8-bit encoding. Her goal was to remaster "The Iron Claw" in 720p, a resolution that balanced quality with accessibility for a wide audience.