Days blended into nights of skirmishes and campaign fragments. The campaign — when he dared to play solo — was the kind of narrative that rode him hard: humanity’s small, ferocious decisions collapsing into catastrophic consequences. The dialogue hit with the same blunt honesty, the same complicated morality that once made him pause between missions. Characters moved in the corners of his screen with the kind of subtle physics he had come to expect from bigger rigs. Cutscenes were trimmed for mobile, yes, but they still landed. Sometimes he caught himself clutching the phone like a relic, because it felt impossible: these stories, once tethered to consoles and living-room couches, were now nomadic. He played between classes, on lunch breaks, in lines where boredom used to live.