The film's cinematography is also noteworthy, with Guadagnino using a muted color palette to create a sense of melancholy and unease. The camerawork is often intimate and close-up, drawing the viewer into the world of the characters and making them feel like they're experiencing the story firsthand.
The film's cinematography is also noteworthy, with Guadagnino using a muted color palette to create a sense of melancholy and unease. The camerawork is often intimate and close-up, drawing the viewer into the world of the characters and making them feel like they're experiencing the story firsthand.